Salem's Gallery of Lamentation.

“My heart was fashioned to be susceptible of love and sympathy, and when wrenched by misery to vice and hatred, it did not endure the violence of the change without torture such as you cannot even imagine.” – Mary Shelley.

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PERSONALITY

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GENERAL INFORMATION

Name: Salem Faust**.**

Age: 25.

Birthday: September 30th, 2000**.**

Blood Type: A+.

Gender: Androgynous — feminine**.**

Orientation: Sapphic-sapio — aro-ace.

Typology: INTJ-T · 5w4 · SP/SO · 541.

PHYSICAL DESCRIPTION

Height: 171 cm — 5’7.

Nationality: North American**.**

Ethnicity: Scandinavian — Slavic — Western European.

Eye colour: Hyperopic glaucous orbs.

Hair colour: Tousled sun-kissed locks.

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BIOGRAPHY

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WRITING SALEM

They exude presumptuous anachronism—they yearn for enclosing anemoia, instead, they continue to rot inside encapsulated juncture temperament vehemence.
They have predominantly spent the better part of their life in a constant state of suppression—it has become second nature for them allowing them to disassociate when need be.
They have no such desire to pass through the threshold of quadragenarian nor dangle above the precipice of septuagenarian.
There is no need to fret, for they are ephemeral, a transient existence—they’ll soon be forgotten by the passage of time. Ruminating about the monotonous monolith of lamentation is futile for someone like them who was never qualified for a threnody offering.
To peruse the pathos of their engorge banality rife with rhetorical flourishes entangled within a metaphysical opera displaying their agony as being monumental gingerly webbed in a meticulously crafted performances of fragility cloaked in eloquence rhetorical monologues—each side of the mask they wear of performance serves dual purpose, one to conquer how they are being perceived, and one to abstract the grandiose misunderstood martyr draped in paradoxical lamentation. Their prose of excessive verbose, ornate disavowal of self-obsessive embroidered in silk woven conspicuous sophistication souses crimson liquid through the cloth of melodramatic metaphoric syllables—while they mustn't deny the blood, they question if the vessel delights too much in the spilling—whether it is the carnage or the syllables they desire most.
- “The sterile, monotonous, banal magniloquence rhetoric gnawing within my cranium is naught but pandemonium euphuism—lacking any merit.”

GUSTO PREDILECTIONS

Anatomy, mortuary science, punctilious mortal coil, philosophy, (existentialism, esotericism, solipsism, absurdism), sapphism—feminism, Gothic literature, Kafkaesque/Lovecraftian literature, fastidious astronomy, the occult, iniquitous alchemy, Mother Nature, hiking in the woods, stargazing, Tenebrism—baroque, inscribed reverie rhetorical baroque lyricism, hedonistic woolgathering, exploring graveyards—cemeteries, Victorian—Gothic ornamentation, Deftones, gothic rock, Slavic mythology, cryptids—quantum vampires, scrupulous vampirism, eldritch malevolent women, macabre humor, anthropophagy, visceral gore, putrefaction—decomposition, forensic entomology, diaphonization, wet specimens, funguses, insects—taxidermied bugs, collecting teeth, bones, and oddities.